That Drifting Poo Was Way Too Symbolic! These Are the TV Letdowns of the Past Year.
Looking back, we reflect on the television offerings of the recent year, a handful of series emerge not for their brilliance, but for their notable shortcomings. Ranging from cringe-inducing sequels to confusingly bad documentaries, here are the programmes that left us utterly bewildered or just reaching for the remote.
And Just Like That
Where to begin with this divisive spin-off? Plagued with dreadful scripts, painful arcs (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the series struggled to justify its existence. For a moment, as the final series began, it seemed as if it had finally hit its stride. Then came an installment centered on Seema’s natural deodorant. Little surprise the creator announced this would be the last season. It concluded on a low point; the lingering shot of Miranda’s loo flooded with poo was simply too on-the-nose. Yet, viewers undeniably found joy dissecting every single “wtf?” moment. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who couldn't let out a small sob?
The Kim Kardashian Drama
‘Can Kim Kardashian act? Of course she can’t.’
But that was practically the smallest of this show's issues. The subject of a very rare zero star assessment, it was difficult to know where to start enumerating the problems. The hilariously leaden dialogue? The mind-numbing veneration of affluence and consumption? The almost deliberate procession of cliches? Performances so bad they felt almost spiteful? Let’s just say “each and every one” and never speak of this show again. However, a second season has been commissioned, so we’re likely going to have to.
AKA Charlie Sheen
Given the legal troubles, domestic violence allegations and parental shortcomings, it’s fair to say Charlie Sheen has been a bad boy. Not you’d truly have known it from this multi-part documentary which smirked its way at Sheen’s various episodes of reckless hedonism while failing to tell us anything we didn’t already know. Rather, it felt as if this volatile personality was being indulged, so any pity this show might evoke should be reserved for the people who have had to endure close contact with this charming but dismissive egotist.
The Iris Affair
Of course we knew it was preposterous from the get-go: a drama about a supercomputer known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We persevered out of sheer admiration for its stars … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. That's what you call admitting defeat.
MobLand
Shady characters convening in empty boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and demands its crime drama back.
In truth, that is harsh on the crime shows of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t endure the ignominy of having to indulge baffling dialects. But there were plenty of other problems. Primarily that it was just really dull; a dispute over drug-selling territory between various cockney rogues which felt a bit basic.
With Love, Meghan
Given the degree to which she grinds the gears of certain performatively angry commentators, it’s almost easy to applaud the Duchess of Sussex’s various forays into twee lifestyle as intentional statements. But then you watch them and are forced to concede that actually, they might have a point. It’s like watching a lifestyle catalogue come to life; a poster for evening drinks with ideas of grandeur; a procession of snoozing dogs, humming beehives, sentimental platitudes and forgettable crafting “tips” you’ll not remember instantly. All supported by immense, mostly undeserved wealth. Ugh.
The Beckham Documentary
There are clearly fascinating things to be said about both Victoria Beckham and her struggles with vocation, self-image, self-acceptance. But for whatever reason, this three-part series chose not to explore them. Rather, the experience was like consuming a marketing catalogue. She clearly has every right to bridle at what she describes as her “miserable cow” image. But unfortunately, she didn’t do herself any favours with this cagey letdown of a series.
The Inheritance
It should have been the next big hit – except even more extravagant, with a famous star as a deceased benefactor and a well-known personality managing her estate. What more could you ask for? As contestants battled it out, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s even now too confusing to detail what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via filmed videos. The show ended up smelling of a production that was straining desperately to live up to something way beyond it.
The Lena Dunham Romcom
How do you succeed a show that captured a generation? The expectation was enormous for this starry romcom about Jessica, a rosy-eyed New Yorker who arrives in London with a broken heart. The lead actress seized the opportunity by the horns and was a delight to watch, reveling in Austen levels of romantic ideals. But it was all very glossy and, paradoxically, was insufficient. Plus, the sheer amount of famous friends involved felt uncomfortable.
The Sketch Show Return
Not good enough to be ‘uneven’.
Given the shrewd inclusion of talented emerging comics, expectations were high. But unhappily, most of it didn’t land. A particular sketch was a single joke milked to a husk but recurring in every episode. One star seemed too ready to slip into a well-known ranting mode. The writing room sketches, meanwhile, simply provoked the idea that they should probably have stayed in there a while longer.
The Twisted Tale of Amanda Knox
This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The subject matter needed to be handled sensitively. Rather, the series laboured awkwardly to find the right voice, lurching from oddly jaunty, slightly stylised farce to inevitably, real-life horror. Twisted? Arguably. A complete mess? Very much so.
Prime Target
We admire the lead actor … but did we buy him playing the greatest maths genius in history, a man so intelligent he’s on the verge of a discovery that could ruin society? No! This international thriller about secret services targeting – and eliminating – academics frankly got more absurd by the second. Silliness-by-numbers.
1000 Men and Me: The Bonnie Blue Story
This hagiography followed the content creator renowned for sexual escapades as she undertook her most extreme feat yet. What on earth would motivate her? What we wanted was far greater examination of her true psyche, plus those of the men in the line. They could at least have interviewed the now-famous mum who showed up to drag her son away from the queue. What we got was horrific shots and absolutely no critical analysis of her notoriety whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.